The film Punch - Drunk Love is how you see the world when you're in love. You don't see somebody's psychological baggage necessarily, you see the person walking out of the light.
The best thing for me is, when I'm not working, is to be at home and to have a script or two scripts is better, and to be just walking around the house and just thinking about the lines.
The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island.
I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself.
My earliest memory is dreamlike: in a small orchard or garden I am carried on the arm, I believe, of my father; there was a group of grown-ups, my mother among them, and the group was slowly walking in the orchard, it seems toward the house.
I grew up in New Hampshire. My closest neighbor was a mile away. The deer and the raccoons were my friends. So I would spend time walking through the woods, looking for the most beautiful tropical thing that can survive the winter in the woods in New Hampshire.
This whole thing about winning and losing is muddy waters. But I can remember, as a young actor, just walking around this city and not being able to get arrested.
I had my electricity turned off three times because I never had time to pay my bills. It was a joke. I'm making a ton of money, and I'm walking around my apartment with flashlights.
My style will be management by being on the street, management by walking around. Third persons won't have to tell me what's going on in our city. I'll hear it, I'll see it, I'll touch it myself.
