In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.
A poem in form still has to have voice, gesture, a sense of discovery, a metaphoric connection, as any poetry does.
The Black Mountain poet I like most is the early Creeley. Those early poems seem very lyrical and very traditional, with a lot of voice and character.
In order to be a lieutenant, you've got to have authority in your voice. No matter how young your face looks, you've got to let your guys know that you're in charge.
I think I can take responsibility for that in that I was the audience. I was the voice of sanity around whom all these crazies did their dance. And I reacted in the same way that a member of the audience would have reacted.
I knew that we were clicking when mimics started kidding my voice, I'll know that I'm on the way out when they stop doing their imitations.
I'm a farmer with a mandolin and a high tenor voice.
That inner voice has both gentleness and clarity. So to get to authenticity, you really keep going down to the bone, to the honesty, and the inevitability of something.
I focused on where she was from of course, her voice and her history, her relationship with God - her religion. This was probably the strongest relationship she has had, really. She never seemed to maintain close relationships with husbands.
At this moment, by an undeserved stroke of fortune, I am the direct voice of the poets of my race and the indirect voice for the noble Spanish and Portuguese tongues.
And one of my favorites was Eddy Arnold of course. He just had that smooth, soulful voice.
Confusion heard his voice, and wild uproar Stood ruled, stood vast infinitude confined; Till at his second bidding darkness fled, Light shone, and order from disorder sprung.
The voice of passion is better than the voice of reason. The passionless cannot change history.
Imagination is the voice of daring. If there is anything Godlike about God it is that. He dared to imagine everything.
Sometimes the solitary voice can be the best one.