I was brought up in the great tradition of the late nineteenth century: that a writer never complains, never explains and never disdains.
I don't really know of the Jewish tradition of comedy, only the Jewish tradition of not keeping your mouth shut. Complaining about all that is hard, unfair or ridiculous in life-having strong feelings, and not being able to suppress them. That, to me, is Jewish.
Tradition is a guide and not a jailer.
There's the tradition in jazz of having the Battle of the Bands, and you do not want to get your head cut when you're playing.
If you're going to use standards as criteria for signing musicians, you can sign thousands. If you're going to use some sort of conceptual interpretation that's based on the tradition of those standards, but is trying to move away from it, you're down to about 10 people or so.
At every crossroads on the path that leads to the future, tradition has placed 10,000 men to guard the past.
Tradition does not mean that the living are dead, it means that the dead are living.
But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.
I know there's some kind of history to mountain music-like it came from Ireland or England or Scotland and we kept up the tradition.
I suggest that what we want to do is not to leave to posterity a great institution, but to leave behind a great tradition of journalism ably practiced in our time.
I like the tradition of ordinary men in extraordinary circumstances and how they react to events which force them to be heroic in a way that is not in their natures.
At the beginning of the nineteenth century we abandoned tradition, it's at that point that I intend to renew it because the present is built on the past just as the past was built on the times that went before it.
The Lounge Lizards were relating with a tradition and it was like I was playing within a musical context. The guitar playing stood out as being different in some way. That was a real education for me.
The American patriots of today continue the tradition of the long line of patriots before them, by helping to promote liberty and freedom around the world.
It is a fine thing to establish one's own religion in one's heart, not to be dependent on tradition and second-hand ideals. Life will seem to you, later, not a lesser, but a greater thing.