I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.
I was just thinking of James Dean and Marilyn Monroe and how young they were when they died. I would like to be a pop icon who survives. I would like to be a living icon.
The sexy moments for me, I wasn't thinking of them as sexy. I was thinking of them as more specific to my character. So it was necessary for my character's development in the movie, so that's how I played it.
If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself.
Recounting of a life story, a mind thinking aloud leads one inevitably to the consideration of problems which are no longer psychological but spiritual.
If they have covered your face with latex, you have to control yourself mentally so you won't think. If you start thinking, you will succumb to panic. I had a bit of a cold, and frankly I didn't have a good time.
I limited myself to introduce a change in my way of thinking and the way I see things. When I look at my child, I do it in a different way then when I'm contemplating a chair. They are different... the child is a living being, and the chair is an object.
