The thing is, we've changed our style but we've never changed the actual roots of what we've done.
I just wanted to play tennis. I started because I wanted to pick up another sport and then as I was slowly getting better I wanted to see how far I can go but I always wanted to be myself. I wanted to be original. I didn't want to copy anybody's style.
I think it was the right time for me to retire because nowadays tennis is too incredibly fast and you can say that my style tennis went out of fashion.
The violence or the vaudeville style of comedy is a technique all by itself. You get up there, and you are a comedian, and you're doing one thing. That is, you're going to make the audience laugh.
I seem to be thinking rationally again in the style that is characteristic of scientists. However, this is not entirely a matter of joy as if someone returned from physical disability to good physical health.
Style and Structure are the essence of a book; great ideas are hogwash.
You can always count on a murderer for a fancy prose style.
All my stories are webs of style and none seems at first blush to contain much kinetic matter. For me style is matter.
For better or worse, I've always tried to march to my own drum and tell it like it is, while preserving some integrity and style. God, I'm fabulous!
Where words can be translated into equivalent words, the style of an original can be closely followed; but no translation which aims at being written in normal English can reproduce the style of Aristotle.
It's not a company of exponents of my style.
In Japan they prefer the realistic style. They like answers and conclusions, but my stories have none. I want to leave them wide open to every possibility. I think my readers understand that openness.
It was a very bizarre experience for me, to get the songs together, go in there, and try to deliver them as I would perhaps in a live setting. But I realized that I couldn't take on that coffeehouse style that I came from and go in there and burn it up.
As far as the style, I was fascinated by surrealism.
Not only the style, but the way in which you don't exactly know what on earth has happened or is happening till about page two hundred - then it all becomes apparent in a blinding flash.