It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time.
Deep down, the US, with its space, its technological refinement, its bluff good conscience, even in those spaces which it opens up for simulation, is the only remaining primitive society.
There are moments of existence when time and space are more profound, and the awareness of existence is immensely heightened.
So we want an Islamic state where Islamic law is not just in the books but enforced, and enforced with determination. There is no space and no room for democratic consultation. The Shariah is set and fixed, so why do we need to discuss it anymore? Just implement it!
I don't think we're wasting people in space.
Man must be in space - that is what we are destined for. There is nothing else that we can do.
I think that the ideal space must contain elements of magic, serenity, sorcery and mystery.
Women should try to increase their size rather than decrease it, because I believe the bigger we are, the more space we'll take up, and the more we'll have to be reckoned with.
I am very much against weapons in space. And I wish we could be spearheading that program to come to some kind of international agreement so that doesn't happen. That is my only - fear - in further space exploration like always, we hope it doesn't get abused.
In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!
Science Fiction is not just about the future of space ships travelling to other planets, it is fiction based on science and I am using science as my basis for my fiction, but it's the science of prehistory - palaeontology and archaeology - rather than astronomy or physics.
At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun.
People are transported to that space that Poe wanted to make available to us.
I mean simply to say that I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
When man becomes reconciled to nature, when space becomes his true background, these words and concepts will have lost their meaning, and we will no longer have to use them.