It's easier to play a dim character, for me, because I have a natural bent for comedy. It's not intrinsic for me to be crafty, so I would have to go outside for a source of origin. I think of myself as pretty dim.
In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acoustic acts any more. Although they had been pretty much been getting out of that for some time before that.
I think we did a pretty good role, linking, being a sounding board really and a driving force, especially from the bottom up. I think that part of this is bottom up as well as top down.
I wanted to write a film and I thought the best way to do so was to train myself within the field... It was just like a cycle of people trying to make it, not making it, doing extra work, and it was pretty depressing in the end.
It was a pretty rough neighborhood where I grew up The really tough places were over around Third Avenue where it ran into the Harlem River, but we weren't far away.
But honestly, it's pretty weird; there are girls who'd do absolutely everything just to get a backstage pass. I don't know what it is, but really, when you're on national TV in America the girls love you. They all want you! And I'm not complaining!
That didn't happen. Still, I had six pretty good years and one where I didn't reach what I wanted for myself or the club. I don't accept that makes you a bad manager or a poor coach. If that is the view I strongly disagree with it.
And these things are pretty much foundational: thou shall not kill, steal, bear false witness. All these things are embedded into the laws we enjoy in our nation.
When you go into a game on offense, you make a couple moves and see what the defender is going to do. Then you pretty much can figure out what he is going to do against you - whether he carries his hands low or high, whether he is bumping or pushing, those type of things.
