Children can write poetry and then, unless they're poets, they stop when reach puberty.
Almost all the noblest things that have been achieved in the world, have been achieved by poor men; poor scholars, poor professional men, poor artisans and artists, poor philosophers, poets, and men of genius.
Language ought to be the joint creation of poets and manual workers.
I defer to all these other American poets who, for some reason, I both envy and admire.
Many poets write books. They'll tell you: Well, I've got my next book, but there are two poems I need to write, one about x, one about y. This is a wonder to me.
There are some fine books and essays about that. Lewis Hyde has written about alcoholism and poets and the role that society gives its writers - encouraging them to die.
Let the poets cry themselves to sleep, and all their tearful words will turn back into steam.
San Francisco has long been a leader in the arts, nurturing generations of painters, sculptors, poets, novelists, playwrights, film-makers, and performing artists and innovators of every kind.
Obviously one of the things that poets from Northern Ireland and beyond - had to try to make sense of was what was happening on a day-to-day political level.
Living at that pitch, on that edge, is something which many poets engage in to some extent.
The bicycle, the bicycle surely, should always be the vehicle of novelists and poets.
Whilst in Prussia poets only speak of the love of country as one of the dearest of all human affections, here there is no man who does not feel, and describe with rapture, how much he loves his country.
Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that.
The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.