I believe the Rolling Stones wanted to play in Golden Gate Park.
Experience without theory is blind, but theory without experience is mere intellectual play.
I was in love with this character of Ray Krebbs. I wanted the part badly. I had done several Western films in my career at that point and there wasn't much opportunity then to play Western roles on television at that time.
What gets me upset about with the newer players is their lack of intensity. They tend to go through the motions a little bit. They don't understand that you've got to practice the way you play.
You've got to get good habits of working hard so that when that play comes up during the regular season that you're able to complete it and do it the right way.
If I play, I try to concentrate on producing my best.
There is no reason to change this system. I don't think we'll abandon it. For us the most important thing is to be compact in the back. That's the kind of game we have to play here and it will be very difficult to beat us.
Croquet is tough. People play for months because the rules are so bizarre. Those crazy English.
Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable.
The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.
The debt we owe to the play of imagination is incalculable.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
People say that to me and I think what unites all my characters is that they are hurt; it's most accurate to say I play characters that are hurt but are responding to their environment.
The End of the Affair is almost like a play.
I play to win, whether during practice or a real game. And I will not let anything get in the way of me and my competitive enthusiasm to win.