It never occurred to me that I'd be on a television show or in feature films but when those came into play my dreams changed along the way.
The character I play is a wonderful compilation of things I hate about myself and things I love about myself and things that I've invented to make her even more interesting than me.
I think the play actually became bigger than me. No pun intended.
In my fantasies, I always wanted to play the ingenue, but in reality, in my bones, I am so used to playing the grandmother that I don't feel safe or even sure that I can do it.
I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.
We may play in a contemporary rock vein, use standard bebop themes, and many other things besides.
My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.
I think we're a deeper team, a better team, we still have work to do... nothing is guaranteed, but hopefully we got the mentality to play on the road, and we're starting to get our home thing back in order now-if we can do that we'll be just fine.
I'm a workaholic. I love every movie I've been in, even the bad ones, every TV series, every play, because I love to work. It's what keeps me going.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play.
It's a really unfair world because life is, where I am; all day long we listen to American music. So I don't see why the radios in the U.S. cannot even put aside one hour a day just to play music that is not American.
Beauty and fullness of tone can be achieved by having the whole orchestra play with high clarinets and a carefully selected number of piccolos.
You know, we're not on stage, we're not doing a play, so we don't have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
If they want me I'd love to come back. I'm not going to play because I can, I'm going to play because I deserve it.
If I like the story and it's well written, and it's a character I want to play and they'll pay me, then I decide to do it.