It's a question of keeping one's eyes and ears open and watching how other people play the game. They're watching me too, to see what my attitude is like.
As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think "actor" and see some easy money.
For Ripley I learned to play some songs on the piano, and I never really played them again.
If you're going to have to beg them to play, it's not going to work.
You're better off being a brick layer if you're going to play guitar than a sheet metal worker.
I know without our fans and the devotion of our fans we wouldn't be here. I don't mean to put them down, but I'm just stating a fact that it is hard to play to people that see you all the time and it takes a lot of fun out of it in some ways.
You've got to love the villain if you have to play him. You've got to find something that you can live with in yourself if you're going to play the villain in a play on stage.
Every time I went into the studio some engineer tried to impress me with how they're going to capture my sound with all kinds of tricks. But they limited the sound and never allowed me to play how I felt.
I don't play pyrotechnic scales. I play about frustration, patience, anger. Music is an extension of my soul.
I can play every instrument there is, every horn, I've played all the saxes and trumpets and everything and keyboards.
You shouldn't even be writing this story if you haven't heard me play live. You can't write with the passion you receive until you see a Dick Dale concert.
Usually I play people who just keep babbling on and on and on.
I play- it's kind of like a slice-of-life, LA women in their forties, playing forty kind of what's their friendship like, and what's their life like and so I just play one of the four friends.
They say 6 million people see you when you act in a film; it may only be 600 in a play. But the effect on the 600 may be truer and more lasting.
It is for the latter that I always wanted to be an actor: to play characters who are always on the move.