I play a recurring role for a character named Doctor Imo. I assist the villain and show up from time to time.
It's that event that's the beginning of the avalanche of this play. The first loose rock.
So I constantly play women who are damaged and out of touch, who are seeking without knowing, or knowing without the skills to transform their lives. But then, that's really the fate of many women today.
I know I can handle dramatic roles, but I don't think I should have to play a young mother on crack to prove it.
For hundreds of years, that was the major form of entertainment: The grown-ups sat around and watched the kids play. Now they sit around and watch the television. The actors are the kids.
Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook.
We wanted to guide the musicians, so we could create our own sound. We would never let the band just go in and play the chord sheets. We were very focused on what we had in mind for these productions.
I've always just shown up and tried to figure out what's for lunch and am I going to get to play some racquetball that night.
I was reading through endless junk scripts that were being sent my way. Typically the roles were to play his wife or his girlfriend - leading roles for women were few and far between.
I write short stories, and I wrote a play.
Rap is only one end of a whole spectrum of verbal play and virtuosity. Rap is geared for aural pleasure.
For an actor, it's great fun to play one of these hungry white sharks. Audiences love to hate them.
Play is the beginning of knowledge.
I play guitar and I love the Beatles and melodic music.
People have to pay a lot of money to play soccer here.