I know that I'm never as good or bad as any single performance. I've never believed my critics or my worshippers, and I've always been able to leave the game at the arena.
What does my performance have to do with Russell Crowe's? Nothing. If I play Gladiator and we all play Gladiator with Ridley Scott in the same amount of time, maybe we have a chance to see who did it best.
Look at the product pipeline, look at the fantastic financial results we've had for the last five years. You only get that kind of performance on the innovation side, on the financial side, if you're really listening and reacting to the best ideas of the people we have.
I always wanted, and still aspire, to be something more than just one thing, just one performance.
What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of a composition.
I dare suggest that the composer would do himself and his music an immediate and eventual service by total, resolute and voluntary withdrawal from this public world to one of private performance and electronic media.
An acre of performance is worth a whole world of promise.
David has asked me, a number of people have asked me and said, What performance do you like best or what's the best film you've made and so on and I don't really have any hesitation that the film I'm least embarrassed by and ashamed of or uneasy about is Shadowlands.
Well, I think In Love and War, which had a wonderful performance by Sandy, Sandra Bullock, who the authorities and, the supposed authorities, in cinema didn't want to know about.
Sometimes when I see a performance that really takes me, I struggle. How can I express this to this person, I want this person to know how I felt. I want to get this across, and it's not very easy.
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.
The thing that's characteristic of my performance is that I literally do drag the whole studio onto the stage.
Performance art is about joy, about making something that's so full of kind of a wild joy that you really can't put into words.
When a performance isn't working, it's usually because the actor is trying to do something and they're not able to express their idea very well. It's a muddled expression.
My first impression when I made it through was 'Good, because I'm going to prove to you that I deserve to be here', because they told me that sometimes I lack confidence in my performance and sometimes I'm not as consistent as they'd like me to be.