Painting is damned difficult - you always think you've got it, but you haven't.
It is no use painting the foot of the tree white, the strength of the bark cries out from beneath the paint.
Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.
Writing has laws of perspective, of light and shade just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
It is not your paintings I like, it is your painting.
A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress.
When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.
Some days I would be there at ten in the morning and wouldn't leave till ten at night, and the others would waltz in for a couple of hours and then leave, because I was doing that painting thing. And they were happy to see that being done.
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
Painting is a nail to which I fasten my ideas.
I felt I really wanted to back off from music completely and just work within the visual arts in some way. I started painting quite passionately at that time.
A painting that is well composed is half finished.
You cannot possibly invent painting all by yourself.
Poetry fettered, fetters the human race. Nations are destroyed or flourish in proportion as their poetry, painting, and music are destroyed or flourish.
I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty.