No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon.
The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it.
When I get my hands on painting materials I don't give a damn about other people's painting... every generation must start again afresh.
Good painting is like good cooking; it can be tasted, but not explained.
A revolution is not a dinner party, or writing an essay, or painting a picture, or doing embroidery.
I believe that painting should come through the avenues of meditation rather than the canals of action.
I think it is an inborn talent - just luck. Some people can learn languages; some can throw a ball. Most people have something. My talent is drawing and painting.
I don't have much of a problem with interruptions. I keep a detailed record of paint and materials as a work on each painting. I can restart exactly where I left off.
I started formal piano training when I was 4. From there I had little violas, and I had dancing lessons of every sort and description, and painting lessons. I had German. And shorthand.
The painting develops before my eyes, unfolding its surprises as it progresses. It is this which gives me the sense of complete liberty, and for this reason I am incapable of forming a plan or making a sketch beforehand.
Where painting is weakest, namely, in the expression of the highest moral and spiritual ideas, there music is sublimely strong.
It is not hard to understand modern art. If it hangs on a wall it's a painting, and if you can walk around it it's a sculpture.
I'm sickened by all religions. Religion has divided people. I don't think there's any difference between the pope wearing a large hat and parading around with a smoking purse and an African painting his face white and praying to a rock.
One learns about painting by looking at and imitating other painters.
When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.