Your spoken voice is a part of it - not a big part of it, but it's something. It puts people at ease, and once again kind of reaches out and makes a bridge for what's otherwise difficult music.
The best music is essentially there to provide you something to face the world with.
Plus, you know, when I was young, there was a lot of respect for clowning in rock music - look at Little Richard. It was a part of the whole thing, and I always also believed that it released the audience.
I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't.
I think that is what film and art and music do; they can work as a map of sorts for your feelings.
I was very fortunate to be at the vanguard of music video.
I am a bit more of a whore with my acting than I am with my music. I am not a whore with my music.
When someone pursues music through your music, that's the greatest accolade anybody can get.
Once I discovered music, I knew what I wanted to do.
Music is a 24-hour-a-day thing for me.
I never learned to read music.
One and the same thing can at the same time be good, bad, and indifferent, e.g., music is good to the melancholy, bad to those who mourn, and neither good nor bad to the deaf.
I was always into music. I think everyone is when they're a teenager, as a way to drown out the world.
The first Decline I did was out of sheer love and appreciation for the music. In 1977, it was more about bands, because punk was a new form of music. It was groundbreaking and political.
Now, it's almost impossible to go out and do a film about a new form of music.