I want to see the writers strike because the writers, god bless them, are the only true commies we have in Hollywood.

Much of what happens in Love Always is really from overheard conversations in the Russian Tea Room. It's an improvisation of the way certain Hollywood agents think and talk to each other.

I think any girl who comes to Hollywood with sex symbol or bombshell hanging over her has a rough road.

Hollywood is going to have to find a way of meeting those profit goals.

The biggest danger of Hollywood becoming a purely corporate town resides in the creative process.

It's only in relatively recent years that Hollywood became the playground of multinational corporations which regard movies and TV shows as a minor irritant to their overall activity.

Hollywood is tied hand and foot to the demands for artificiality of the masses all over the world.

Half the people in Hollywood are dying to be discovered and the other half are afraid they will be.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

If I never do another movie, I will have had the privilege of working on one of the big Hollywood movies with top people, creating a world that can only be described as totally cinematic.

In Hollywood, an equitable divorce settlement means each party getting fifty percent of publicity.

I figured that, if you do a vampire movie in Hollywood, you've made it.

Hollywood wants press, any kind of press.

I stopped courting Hollywood a long time ago.

I never pursued Hollywood banging my drum, because I was never in a film big enough to do that.