Fantasy is the only canvas large enough for me to paint on.
Writing fantasy lets me imagine a great deal more than, say, writing about alligators, and lets me write about places more distant than Florida, but I can tell you things about Florida and alligators, let you make the connection all on your own.
The baseball held was my fantasy of what life offered.
The funny thing is all these school shootings that we have, always happen in very religious communities. Maybe it's because the centre of their lives is a big fat nothing and it's just a fantasy and there's nothing there. I think maybe that might have something to do with it.
When a fantasy turns you on, you're obligated to God and nature to start doing it - right away.
Fantasy is toxic: the private cruelty and the world war both have their start in the heated brain.
Although it is a fantasy film, it's as real as it can be. You have to imagine that an audience will buy their ticket to a cinema and get on a first-class flight and journey to Middle Earth.
About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs.
All fantasy should have a solid base in reality.
It didn't matter what we did or where we did it as long as we were together. We knew we'd found what most people either pursue in years of futile search or dismiss as a fantasy at the outset: the missing half of ourselves. The real thing.
Creating fantasy is a very personal thing, but you can't take the process too personally.
There are movies that require fantasy and slightly more fantastical acting. Lines that are good for certain movies, in real life circumstances, would be absolutely unbelievable things to really say, and you would look at these people like they're freaks for conversing that way. But somehow for certain styles of movies, it works, and it seems fine.
Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
All of the problems we're facing with debt are manmade problems. We created them. It's called fantasy economics. Fantasy economics only works in a fantasy world. It doesn't work in reality.
Nature is my springboard. From her I get my initial impetus. I have tried to relate the visible drama of mountains, trees, and bleached fields with the fantasy of wind blowing and changing colors and forms.