Because of the audience I get and the fact that these people aren't traditional comics buyers I don't think the comic industry looks at that and thinks that is a very respectable thing. I'm very used to it. I'm not the guy who wins awards and gets mentioned in magazines.
Music for me is an emotional thing and it really does make me happy. It's not a tool for me to get fame or see my face in the papers or anything like that. It's about the fact that I really do enjoy it.
I think the industry is oblivious to the fact that most people listen to all kinds of stuff. I personally don't know of anyone who listens to only one genre of music. It's vanity because no one does.
I haven't done a great deal of it but this was a chance to do more and bring it to that part of the business and even more so, but the fact that it was a black superhero was really the catalyst to me.
Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them.
We hope that eventually there would be an occasion which I can personally prove that game music can in fact impress many different people and move them.
I was in California when this journalist made a blanket statement about the fact that she did not think that black men and women had the kind of love relationship that Rebecca and Nathan had in Sounder.
