The cast gets along pretty well, it's a good work environment. I hang out a lot with Brett Claywell, he plays Tim Smith on the show. We play plenty of basketball.
A healthy environment is essential to a livable Oregon and a strong economy.
I want to rid the country of corruption and return our economic environment.
I mean, I really don't want the federal government to be determining whether or not a person who feels certain ways about the environment or about animals or about certain religious issues should be considered an extremist. That to me is a type of thought control, mind control, which is very dangerous.
We must conserve our environment and pass it on to our children in as good or better condition than it was passed to us.
The destruction of our environment and resources cannot be stemmed unless the growth of the world's population is stemmed and ultimately reduced.
The sterile, arid environment created by truly jarring and discordant signage and gargantuan billboards is a turnoff.
If we intend to provide a better life, and a better world, for future generations, we can't ignore the quality of the environment we leave them.
Military police know what to do, they know the Geneva Conventions, and their objective is to provide a safe, secure, fair environment for prisoners under their control.
I even smoke in bed. Imagine smoking a cigar in bed, reading a book. Next to your bed, there's a cigar table with a special cigar ashtray, and your wife is reading a book on how to save the environment.
But I think you have to - whatever the environment looks like, it does enter into people's art work one way or another; it's very remote or it isn't. It's remote in my work but it has to have a certain degree of ordinariness.
I think some of the things I deal with Hopper probably has dealt with also, since it's somewhat the same environment and I have pretty strong reactions to what this country looks like. It looks pretty dull and spare, and you like this and dislike it and it's very complicated.
People say that to me and I think what unites all my characters is that they are hurt; it's most accurate to say I play characters that are hurt but are responding to their environment.
Initially with The Butcher Boy, there was this kid growing up in this strange, weird environment that I remember from when I was a kid. And Patrick's vision was so complete there.
It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated.