I'm very accessible. I don't get into this ego thing.
I'm not in front of the camera, they are. I encourage them; I build up as much of their confidence and ego as possible. They've got to take control; I can't act it out.
Because when you have millions of people with this kind of need for gratification, and the culture is saying that it's possible for everyone to satisfy all of their needs and desires all of the time, there are obviously going to be clashes - clashes of ego.
And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.
It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.
An actor is totally vulnerable. His total personality is exposed to critical judgment - his intellect, his bearing, his diction, his whole appearance. In short, his ego.
To have a little recognition, that is very nice, you dig. It is good for the ego, for the psyche.
I have a huge ego and a huge inferiority complex at the same time.
The pursuit of beauty is much more dangerous nonsense than the pursuit of truth or goodness, because it affords a stronger temptation to the ego.
Analysis does not set out to make pathological reactions impossible, but to give the patient's ego freedom to decide one way or another.
Every normal person, in fact, is only normal on the average. His ego approximates to that of the psychotic in some part or other and to a greater or lesser extent.
Where id was, there ego shall be.
The ego is not master in its own house.
If I have enough ego to say I'm a writer, a director, a producer, and an actor, I should have the energy and the knowledge to write a scene for this great actor named Henry Fonda and direct him in it and have it work.
I like the moment when I break a man's ego.