It's something I've always loved doing. I'm not one of the artists who comes in and just does my bit. I'm there every second of every day. That's my hands-on situation.
Each morning my characters greet me with misty faces willing, though chilled, to muster for another day's progress through the dazzling quicksand the marsh of blank paper.
Right afterwards there was a whole, whole lot of press to do, so the week after, all day, every day, was press so I didn't really get a chance to celebrate.
Because of the need to remove all modernism, we stayed in the middle of nowhere all day long, living out of tents. It was cold. It definitely set the scene.
I'm not sure about the selling part, but I've always found that the things I've worn on tour have moved over to what people wear every day. Sometimes the things I wore in the beginning before I had money were things I put together.
