I guess because I pay so much attention to the physical part of the character, I don't look upon it as like Charlize Theron up there. I don't think of them as like Charlize Theron films.
Parts like Morse don't grow on trees. He's a great character.
What it made me realize was that a show like this makes people look inside themselves. Because this crew guy isn't sitting there wishing the character would fight back. He's hoping that he would fight back.
I would say that playing this character has caused me to think about a lot of things. He's always questioning himself and trying to get back to something he lost touch with and trying to find forgiveness. Everybody struggles with these things to some extent in their life.
She's a very charismatic character, and she holds the whole play together.
And I tell ya, when I sit in that sound booth and started reading the script and starting to get into the character, man, it's an easy jump for me, because I understand what it's all about.
I am myself for a living. I don't animate a character.
Shy and proud men are more liable than any others to fall into the hands of parasites and creatures of low character. For in the intimacies which are formed by shy men, they do not choose, but are chosen.
Character, to me, is the life's blood of fiction.
I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
The tenacious character I've possessed since I was a small child propelled me to successfully meet this challenge, and I was able to safely gain acceptance to the university of my choice.
I am writing about people who are alive in the city of New York during mid-20th-century America. And these people are like a character in a play or they are figures in a short story or a novel.
The most important basis of any novel is wanting to be someone else, and this means creating a character.
Every article on these islands has an almost personal character, which gives this simple life, where all art is unknown, something of the artistic beauty of medieval life.
I felt like I was flying without a net. But once I realized that the audience was my partner, I was flying a jet, because the people would allow me to develop the character on stage.