Being famous is not something that would make me feel successful - unless one was striving for mediocrity.
Being a father, being a friend, those are the things that make me feel successful.
All I know is that my best work has come out of being committed and happy.
I am not an enormous believer in research being the be-all and end-all. I get suspicious when I read about actors spending six months in a clinic, say, in order to play someone who is sick.
Love, I find, is like singing. Everybody can do enough to satisfy themselves, though it may not impress the neighbors as being very much.
Being English, I always laugh at anything to do with the lavatory or bottoms.
But it cannot follow that because weapons and troops are now being deployed we are bound to go to war.
It really helps you to go through difficult situations by just thinking about it as being a big amount of work which you have to solve how to do. For example, I don't feel very inspired when I act, I just act. That's it.
For an actress there is no greater gift than having a camera in front of you, listening to the most beautiful music in the world and just being looked at!
I think being an actress is more how to cope with the fact that you can't do anything else than to express a talent. It's a way of being untalented for anything.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
For me, making films is like being on vacation, it's a nice walk. But theatre is like mountaineering. You never know whether you're going to fall off or make it to the top.
I don't care whether people like me or dislike me. I'm not on earth to win a popularity contest. I'm here to be the best human being I possibly can be.
It was all about flying round the world, working hard, being on the cover of Vogue, making money. It wasn't fun. It was exhausting, but I was young and convinced I knew best.
I began using pseudonyms early in my career, when I was being paid a quarter a cent a word for my work, and when I had to write a lot to earn a living. Sometimes I had three or four stories in a single magazine without the editor knowing they were all by me.