It's nice to establish yourself as an actor first and a singer second. Proof is such a tremendous piece of work, and I'm incredibly lucky to be a part of it. I'm sure that the musicals will happen in the future, though.
In the courtroom, it's where a lawyer really becomes an actor. There's a very fine line between delivering a monologue in a play and delivering a monologue to a jury. I've always felt that way - I've been in a lot of courtrooms. The best lawyers are really theatrical.
I'm living every ten-year-old boy's fantasy. The other day, Chris and I had this big scene where we had to pull out our guns, and I was thinking, 'Here we are in New York City - a place where every actor wants to be - and we are literally playing cops and robbers. How great is that?'
When actors are talking, they are servants of the dramatist. It is what they can show the audience when they are not talking that reveals the fine actor.
In those days I was mortified, because I was a serious actor in my own mind, and then all of a sudden I'm this hunk.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles M. Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
I don't possess a lot of self-confidence. I'm an actor so I simply act confident every time I hit the stage.
In the years since I worked with John Hughes, there were many years where I literally had hundred of doors slammed in my face because I wasn't that kid anymore, and I wasn't a character actor, and I wasn't a leading man, and I wasn't whatever Hollywood was looking for.
I think in both of those situations, it's important as an actor to learn, despite the success I had as a kid, that it's important to understand what it means to be a small fish in a big pond.
I'd love to see the rushes but it's just not allowed because directors and also a lot of actors feel that if they see their work, and the director likes what they're doing, the actor might try to correct their mistakes.
If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
I was trained to be an actor, not a star. I was trained to play roles, not to deal with fame and agents and lawyers and the press.
An actor has to embody a role.
I try to get the best performance an actor can give.
This was basically the first time I got to act in action scenes, with things blowing up all around me. It sounds corny, but I think every actor would like to - at least once in his or her career - play the person who saves the entire world.