Kylie and I were both taking piano lessons at the time and didn't think of acting. A friend rang mum up and said, 'How about bringing Kylie and Danielle in because they might be right for the part?'
And what I liked the most about any project was that when it was good, you had a bunch of people trying to accomplish something together who were all acting together as one - that's the most exciting time for me.
You have to love what you do, and you have to need it like you need air. And there's nothing else that would give me the same degree of satisfaction as acting, which is why I can't walk away from it.
When I got to college, acting suddenly seemed like a very risky proposition and all my friends were going to law school or med school or Wall Street.
There's so much we can't express in our day-to-day interaction with people because it's considered inappropriate. And acting is all about being inappropriate.
It was just expected that I would go to college. Both my parents are teachers and they tolerated acting, but I was going to go to a school of quality or bust. Which made my downshifting back to acting afterward a little difficult.
I moved here to California when I was 13 to pursue my acting career.
I'm really excited, because the character, Jules, is a really awesome character. I'm really excited to be playing her, and overall, I'm really excited to be getting back to my acting roots.
So most of my acting experience came in college when I was living away from them. I acted in various independent films, and I got some commercial work and stuff like that.
I really love to act; I love everything about it. I've never had this addiction to being known. I mean, sure, if you go into acting, there's part of you that is saying, 'I want attention' but I was brought up to work to deserve attention, and it is the work, not the trappings that are important.
I took acting classes in college, and once I graduated, I decided to give acting a shot when I couldn't really think of anything else to do. It took me a couple of years to get an agent, and my first big break was The Fanelli Boys, which was a sitcom on NBC. Then I did a few television movies.
I didn't get into acting to be a public service announcer or an advocate and yet, by virtue of this show and how we handle the subject matter that we've been given, that's kind of how it's evolved in certain ways.
I've got the best of all worlds. It's every actor's dream to wake up in New York City and go to an acting job rather than to a restaurant to wash dirty dishes. And I live so close to the studios that I ride my bike to work.
Though I acted in hundreds of productions, appeared at the Guthrie Theatre and on Broadway in Amadeus, I discovered in my thirties that I didn't really like stage acting. The presence of the audience, the eight shows a week and the possibility of a long run were all unnatural to me.
I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.