The films that I've done before were original stories most of the time, I did two adaptations before this, but they were mostly original stories where I had complete freedom to evolve in the direction I wanted.
The other aspect is that you become much more aware of the structural problems that pertain to that continent. You feel the need to act to try and solve them.
The Peruvian faces are completely different from that faces in Argentina and in Brazil.
The Sundance Institute has been vital to the film communities of Latin America.
There are still 500,000 persons afflicted with leprosy in Latin America, so it is still very much present.
We all knew the book well because it's the cult book in Latin America. For me, this was a sacred territory. I would not have ventured into it by myself.
When I come to London, I always like to see what's playing at the NFT.
Also, there are now new laws in Brazil which create incentives for Argentine and Latin American films to be premiered and distributed in Brazil and vice versa.
That's why I have always admired documentaries, because they open windows that can make you understand much better where you come from, much better than fiction, I think.