The more gifted and talkative one's characters are, the greater the chances of their resembling the author in tone or tint of mind.
I think it is all a matter of love: the more you love a memory, the stronger and stranger it is.
A work of art has no importance whatever to society. It is only important to the individual.
A writer should have the precision of a poet and the imagination of a scientist.
All my stories are webs of style and none seems at first blush to contain much kinetic matter. For me style is matter.
Caress the detail, the divine detail.
Complacency is a state of mind that exists only in retrospective: it has to be shattered before being ascertained.
Discussion in class, which means letting twenty young blockheads and two cocky neurotics discuss something that neither their teacher nor they know.
Existence is a series of footnotes to a vast, obscure, unfinished masterpiece.
Genius is an African who dreams up snow.
Happy is the novelist who manages to preserve an actual love letter that he received when he was young within a work of fiction, embedded in it like a clean bullet in flabby flesh and quite secure there, among spurious lives.
Poetry involves the mysteries of the irrational perceived through rational words.
I confess, I do not believe in time.
A novelist is, like all mortals, more fully at home on the surface of the present than in the ooze of the past.
I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.