Nothing induces me to read a novel except when I have to make money by writing about it. I detest them.
Odd how the creative power at once brings the whole universe to order.
The beautiful seems right by force of beauty, and the feeble wrong because of weakness.
This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant.
Once conform, once do what other people do because they do it, and a lethargy steals over all the finer nerves and faculties of the soul. She becomes all outer show and inward emptiness; dull, callous, and indifferent.
The telephone, which interrupts the most serious conversations and cuts short the most weighty observations, has a romance of its own.
Sleep, that deplorable curtailment of the joy of life.
My own brain is to me the most unaccountable of machinery - always buzzing, humming, soaring roaring diving, and then buried in mud. And why? What's this passion for?
Thought and theory must precede all salutary action; yet action is nobler in itself than either thought or theory.
This soul, or life within us, by no means agrees with the life outside us. If one has the courage to ask her what she thinks, she is always saying the very opposite to what other people say.
This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.
There is much to support the view that it is clothes that wear us, and not we, them; we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking.
These are the soul's changes. I don't believe in ageing. I believe in forever altering one's aspect to the sun. Hence my optimism.
The truth is, I often like women. I like their unconventionality. I like their completeness. I like their anonymity.
The beauty of the world, which is so soon to perish, has two edges, one of laughter, one of anguish, cutting the heart asunder.