I'm not one who divides music, dance or art into various categories. Either something works, or it doesn't.
In terms of individuals who actually inspired me, very few of the academic people that I had access to had that power over me. Maybe it's simply because I wasn't that committed to geometry.
The only thing I fear more than change is no change. The business of being static makes me nuts.
In those days, male dancers were a rarer breed than women. as they are still today, A good male dancer, one as strong as we were, was very difficult to come by if you couldn't afford to pay them.
I have the wherewithal to challenge myself for my entire life. That's a great gift.
I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent.
I don't think politicians should be allowed into power who are not familiar with their bodies, because that's where our bottom line is. And I know that they would make totally different decisions if they felt responsible simply for their own bodies.
I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that far apart.
Dance has never been a particularly easy life, and everybody knows that.
Art is the only way to run away without leaving home.
Any comic is a tragic soul. Comedy is one of the things that allows one to survive. Particularly if one has been in the process of separating off the emotions, it's one place you can process them.
A lot of people insisted on a wall between modern dance and ballet. I'm beginning to think that walls are very unhealthy things.
I never studied with Balanchine, but his work was very important to me.
I learned very early that an audience would relax and look at things differently if they felt they could laugh with you from time to time. There's an energy that comes through the release of tension that is laughter.