I sent The World Well Lost to one editor who rejected it on sight, and then wrote a letter to every other editor in the field warning them against the story, and urging them to reject it on sight without reading it.
I teach writing courses and first of all, I teach my students what prosody is.
You have to study your field and you have to find out how other people do it, and you have to keep working and learning and practicing and ultimately, you would be able to do it.
Fiction is very important to me. It's what I do, it's what I do with my life.
I quit my job, and went ashore to become a writer.
I have lived most of my life with the conviction that I don't dream, because I never could retrieve a dream.
I find to my mixed astonishment that I do dream, but I didn't know it.
I feel angry that I can't be hypnotized. I'm not putting it down, and I'm not saying that it doesn't exist. I have talked to a great many people who are very good at it, but so far nobody has ever been able to hypnotize me.
Here's the point to be made - there are no synonyms. There are no two words that mean exactly the same thing.
For years, I thought I simply didn't dream. I felt left out. Everybody else had a thing I didn't have.
Create a world in which these things do or do not exist, or in which they are extended in some way. Test reality against this fiction. The reader will recognize the world that you're talking about, even though it may be another one altogether.
Basically, fiction is people. You can't write fiction about ideas.
As far as I'm concerned, I didn't dream - ever.
When you combine something to say with the skill to say it properly, then you've got a good writer.
You must write to the people's expertise.