The Loved One has been the most underrated film I've worked on.
The important thing in writing is the capacity to astonish. Not shock - shock is a worn-out word - but astonish.
Sometimes we would be staked out in the middle of the river, several barges tied together. So we could party.
Someone wrote a piece about Henry Green in The Partisan Review that was so intriguing that I got one of his novels, Loving, I believe, which was the first that came to attention in the United States.
Peter Beard is one of those people I've known a long time. We have an affinity. We share certain values.
It's often the case with directors that they don't like to share credit, which is the case of Stanley. He would prefer just A Film By Stanley Kubrick including music and everything.
You can't do the end of the world in a conventionally dramatic way or Boy Meets Girl way.