I think my favorite experience is whatever I'm doing now.
I worked with practically everybody in the business in all of the years in NBC, but I worked personally many years with people like Crosby and Sinatra, so of course that was a great ground school for me.
Although we are being presented in Carnegie Hall, we have to furnish a budget for our guest stars, and for the music writing - which is a huge budget in any orchestra that plays popular music.
I've watched the demise of the Hollywood orchestra, the house orchestras of the big studios.
I also work with the regular orchestras in Munich, Germany and other similar orchestras.