Jessica Lange in Frances... was dramatic and passionate and one of the strongest performances I've seen a woman do.
I was a brat. It was crazy, I was very picky. In other words, I didn't take advantage of what was happening.
I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it.
I'm contemplating moving to London for a period of time. I've been in Los Angeles for 15 years and I'm really tired of it. I'm continually uninspired by what's being sent to me. Even by huge films that they're doing there. They're just awful.
I really loved Twin Peaks. When I saw the two-hour pilot, they screened it in the big theatre. I said, I don't know what is going to happen. I'm in this and I don't understand it. This is never going to sell. Who's going to watch this thing?
Now I know why guys like to hug girls. You guys just want to cop a feel. I can't believe that I've fallen for it all these years!
Women do feel like they're in a box. Society, Hollywood, some men-they want to wrap women up in a neat little package.
When I read the script, I was like, Hello, woman in a box. I had to explore that to the end.
We all have sadness in our life and things that we can draw upon.
Twin Peaks was special because it was so groundbreaking. In the early '90s it really changed television a lot. A bunch of weird shows, like Northern Exposure, came on after that.
There is something at work that's bigger than us. It's about having a trust in life and being at peace that things are happening the way they should. You do what you do as well as you can do it, and then you don't worry or agonize about the outcome.
The difference between working with a man and a woman... is immense.
You say a line and you wait for them to laugh, then you say another line and you wait... It felt weird to me. But it's interesting and the energy is almost like theatre, I suppose, with all the people there.