I would be sad if it ended now. It's been the best job I've had by a long shot, especially creatively because the writing is so good. Every week I get the script and I laugh out loud and get excited for the different stuff we get to do.
I was 17 and the whole thing was very confusing at the time. It was a great job and I loved it, and to lose the role was definitely tough for me. I was devastated when I lost the role.
I think that we had a really loyal, great audience on Tuesdays and we were hoping that with the move, they would come with us. It looks like they have, so things are good and we are going to keep building.
I think that as is true in this industry, everything gets blown out of proportion because it's more fun for people to read about. It's even more fun to read about if the stories get wilder and wilder.
I don't think when people sign up for a life of doing something they love to do they should have to sign up for a complete loss of privacy. I understand a little loss of privacy coming with the job.
I think it's because it's so different and it takes risks. Plus, it's really smart humor. It gives the audience credit in terms of not needing to tell them when to laugh. I love that about the show. There's no laugh track.
I'm having the time of my life. I've never looked forward to going to work so much every day. I'm loving it; it's great. It's what I love to do and I wouldn't want to be doing anything else.
In fact, if they didn't let me commute, I would not have taken the role because I wanted to graduate high school with my classmates. I remember my agent's jaw dropping when I told him if I couldn't commute I didn't want the role.
So the first season about halfway through he just sort of put us together and then broke us up all within one episode. One of the ideas is to have us do that once a year - to have everything blow up in our faces and not work out.
