When I drive through a field, I want to see green grass sometimes, and I don't want to see black and white.
You think about taking audiences on a journey.
Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.
You've got to work. You've got to want an audience to sit forward in their chairs sometimes, rather than sit back and be bombarded with images.
You're in the lap of the gods. If people go, they go, and if they don't.
You freeze with the number of opportunities given to you and just decide to do nothing at all.
Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie.
This is the first time in 10 years I don't know what I'm doing next, and I'm rather enjoying it. Soon I'll be climbing the walls no doubt, but right now, it's not clear, I'm just enjoying the freedom.
There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.
One movie is only one movie. I want to have a lifetime of making films.
The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.
The movies that influenced me were movies that told their stories through pictures more than words.
Now I'm back home, living in London, running my theater. I just want to enjoy all that.
You just never know when movies are going to take off or not. The lucky thing about this was that it didn't cost a lot of money, and therefore there wasn't loads of pressure on me.
Thank God I don't live in Los Angeles. I think if you're there the whole time it just gets out of proportion and you lose touch completely with reality.