Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
He has such a clear vision of exactly what he wanted out of each character, out of each set, out of each wardrobe change, out of each emotional beat, and action.
I believe in energy like dark energies. I believe that when a family moves into a house where six murders took place, there's going to be some bad juju in that house. But then again what the hell is wrong with you to be moving in that house to begin with?
I come from a family of cops, and all of them share that understanding that they put their lives on the line. They share and deal with that sense of risk every day, so I got to see that up close.
I had to wear that suit, so I put in my required time in the gym. But I'm not one of those actors who romanticizes his trials working out and brags that he can bench press a panda now.
Acting has given me a way to channel my angst. I feel like an overweight, pimply faced kid a lot of the time - and finding a way to access that insecurity, and put it toward something creative is incredibly rewarding. I feel very lucky.
When I meet thousands of fans of the comic - when I realize every one of them can recite the Lantern Corps oath ('In Brightest Day, in blackest night...') - I know how important this is to people.
It's a nice visual. I had just done Blade and I put on more weight for Blade and I thought I might as well use it so I kept it and added a little more. I wanted him to be a big bear.
My father was a police officer before he retired. One of my brothers is also a police officer, and I think they kind of expected I would do something along those lines, like become a fireman or something.
