Promoting a record on a major label is like running a minor military campaign.
Using the word weird implies that there is a norm.
One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
I was buying Bob Dylan mainly, everything I could get hold of by him.
After the Soft Boys I just didn't want to work with any more guitarists.
After Nashville sushi and a long debate on Bob Dylan, we went into Woodland Studios at 10 pm that night for a look around, and jammed for 5 hours solid.
An un-named song is like an un-named child, it has no identity.
As soon as a norm is established, people start questioning it, which is probably a good thing in the end.
Dreams are a scientific fact.
Everyone has a right to change their consciousness, but ultimately the whole process is misleading.