Simplicity is the key.
When you've toured for about 10 years like me, you end up feeling like you're always waiting for somebody or something. The whole day is a drag.
When I was 20, I didn't give a damn about song construction. I just wanted to make as much noise and play as fast and as loud as possible.
What's the point of re-releasing an album? The original sounded good, why change something about it?
Session work makes you more strict. You can't hit notes all over the place. You've got to make each one really count.
The cello is such a melancholy instrument, such an isolated, miserable instrument.
Ian Gillan, Roger Glover and I wanted to be a hard rock band - we wanted to play rock and roll only.
Playing a Fender is an art itself. They're always going out of tune.
Pete Townshend used to crash chords and let the guitar feed back. He's overrated.
Learning to play with a big amplifier is like trying to control an elephant.
Johnny Winter is one of the best blues players in the world. He's very underrated.
If you can play well in the studio, you can play well on stage.
If a ballet dancer falls over, it's knowing how to get out looking clumsy that counts.
The only way you can get good, unless you're a genius, is to copy. That's the best thing. Just steal.