It's unfortunate that sometimes in schools, there's this need to have things quantified and graded.
It's the combination of the intimate and the public that I find so exciting about being poet laureate.
It really wasn't until I was in college when I began to write more and more, and I realized I was scheduling my entire life around my writing.
Instead of trying to come up and pontificate on what literature is, you need to talk with children, to teachers, and make sure they get poetry in the curriculum early.
In working on a poem, I love to revise. Lots of younger poets don't enjoy this, but in the process of revision I discover things.
If we really want to be full and generous in spirit, we have no choice but to trust at some level.
One definition of eternity is that we are not alone on this planet, that there are those who've gone before and those who will come, and that there is a community of spirits.
What is ironic is that Allen Ginsberg's importance was in its twilight for so many years that it took his death to bring it to the front page. He electrified an entire world!
All of us have moments in our childhood where we come alive for the first time. And we go back to those moments and think, This is when I became myself.
Being Poet Laureate made me realize I was capable of a larger voice. There is a more public utterance I can make as a poet.
Being true to yourself really means being true to all the complexities of the human spirit.
For many years, I thought a poem was a whisper overheard, not an aria heard.
For years, I had heard about the lack of interest in literature in the U.S. and I had complained about it. I failed to understand how people could fail to be moved by art.
There are times in life when, instead of complaining, you do something about your complaints.
Under adversity, under oppression, the words begin to fail, the easy words begin to fail. In order to convey things accurately, the human being is almost forced to find the most precise words possible, which is a precondition for literature.