I didn't know how to kill off a character unless I was able, as a narrator, to get really complicated. Because it was a big deal. I'd never killed a character before.
It turns out that my memory is just not that great, so for specific scenes with people doing stuff, sometimes I'd have the details all wrong or I couldn't remember what happened exactly, so I just let that be.
Impotence, fetishism, bisexuality, and bondage are all facts of life, and our fiction should reflect that.
I'm trying to read more dead people because I keep having to read stuff for juries and so forth.
I'm trying to make sure that there's comedy as well as sadness. It makes the sadness more memorable.
I suppose I should say that I treasure blasphemy, as a faith of the highest order.
I love comic books and always did as a kid.
All the stuff that I used to treat with contempt - you know, I'm an artist, man, I don't do that family stuff - has begun to seem really important.
Maybe when I'm sixty-five I'll talk about my literary life.
I am in Boston right now, in fact, to do work at the New England Historical Genealogical Library, where I'm trying to finish up tracing my lineage back to the seventeenth century.
I always wanted to write something illustrated, and the Details strip finally gave me the opportunity.
Genre is a bookstore problem, not a literary problem.
But that incessant drive to be out there in the literary universe that was important to me when I was in my twenties, like going to a Paris Review party or whatever, that seems totally irrelevant now.
I judged about a zillion awards this year so I've been reading a lot of books that just came out.
Literature precedes genre.