Young people are forced to mature sooner now than in the '40s. I was doing things at age 14 that guys in the movie were just beginning to do at 16 and 17.
I do interviews because it's a chance to be myself. I sometimes wonder what I could have to say that would be of any interest. I don't have any great wisdom.
What I do is not some magical, mystical thing. I simply get up in the morning, get to work on time, say my lines, and do the best I can.
Intellectuals would be much more accepted now than in the '40s.
I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
The first two pictures I did, I played a young student in prep school. When I did Lifeguard, everyone was saying, You're so Southern California. It was a surprise to me.
I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible.
My interest in architecture has always been sculptural. Most of my photography is of architecture.
I'm going to go away on vacation, I'm going to try to get away from the phone, away from scripts. I think it's important to sit back and think about what you want.
In this business, you just never know from day to day. It's one reason I held off getting too involved in entertainment. I like being able to plan, I like to know what I'm going to be doing.
In 1942, everyone was ready to go and fight for the good guys. It was so simple.
If it seems like you're doing work when you're acting, then you're doing something wrong.
If I have a Sunday free, I'll go up the coast and spend some time on the beach. I scuba dive and swim and sail. A lot of the things I like are around the water.
Suddenly you're surrounded by strangers who want something from you. The thing is, they don't know what they want, and you don't know what they want, unless it's an autograph, and you just sort of stand there grinning at one another.