Even when I was very depressed, I could hold on to something. It seems that I have always had that streak of gold that I could hold on to.
I prefer playing in the studio because you have much more control over things.
I practiced for at least two hours every day for twenty years, before then I practiced maybe four to five hours a day, and before then 14 hours a day. It was all I had ever done.
I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I don't just play mechanically. I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.
I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.
I love to be creative.
Depression is something that makes you lose your sight.
I believe that every person has uniqueness - something that nobody else has.
I view life as a learning experience. It is not so much all about music; it is about what happens when you are doing the music.
If you copy then it is not self-expression.
I have always known that it comes from deep within myself. I always knew what sound I wanted, and how I wanted to play. I knew everything, it just had to be developed.
The other thing that has made playing live for me more enjoyable is the audience. I never knew I had such heartfelt, loving fans.
If you are in a band like my brother, Rudolf, who is in the Scorpions, then you have a kind of umbrella and you cover each other. You have five people to discuss things with and you are all in the same boat, and therefore make much wiser choices.
If everyone would look for that uniqueness then we would have a very colorful world.
If you don't get on the field and play then you will be missing out.