I simply do not distinguish between work and play.
To pay attention, this is our endless and proper work.
In college, you learn how to learn. Four years is not too much time to spend at that.
My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work.
To live in this world, you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.
When it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms.
Poetry isn't a profession, it's a way of life. It's an empty basket; you put your life into it and make something out of that.
I was very careful never to take an interesting job. If you have an interesting job, you get interested in it.
I have a notebook with me all the time, and I begin scribbling a few words. When things are going well, the walk does not get anywhere; I finally just stop and write.
I love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing.
Writers sometimes give up what is most strange and wonderful about their writing - soften their roughest edges - to accommodate themselves toward a group response.
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together.
As a child, what captivated me was reading the poems myself and realizing that there was a world without material substance which was nevertheless as alive as any other.
I worked probably 25 years by myself, just writing and working, not trying to publish much, not giving readings.