Use your imagination, and you'll see that even the most narrow, humdrum lives are infinite in scope if you examine them with enough care.
When I was writing for children, I was writing genre fiction. It was like making a good chair. It needed four legs of the same length, it had to be the right height and it had to be comfortable.
Young readers have to be entertained. No child reads fiction because they think it's going to make them a better person.
There's something with the physical size of America... American writers can write about America and it can still feel like a foreign country.
Writing for children is bloody difficult; books for children are as complex as their adult counterparts, and they should therefore be accorded the same respect.
My book has a very simple surface, but there are layers of irony and paradox all the way through it.
I was born too late for steam trains and a lazy eye meant I'd never be an astronaut.
I've worked in television long enough to know that when you stop enjoying that type of thing you go home and do something else.
I've written 16 children's books and five unpublished novels. Some of the latter were breathtakingly bad.
If kids like a picture book, they're going to read it at least 50 times. Read anything that often, and even minor imperfections start to feel like gravel in the bed.
If one book's done this well, you want to write another one that does just as well. There's that horror of the second novel that doesn't match up.
If you enjoy math and you write novels, it's very rare that you'll get a chance to put your math into a novel. I leapt at the chance.
Jane Austen was writing about boring people with desperately limited lives. We forget this because we've seen too many of her books on screen.
Many children's writers don't have children of their own.
Science and literature give me answers. And they ask me questions I will never be able to answer.