The painter's obsession with his subject is all that he needs to drive him to work.
The picture is all he feels about it, all he thinks worth preserving of it, all he invests it with. If all the qualities which a painter took from the model for his picture were really taken, no person could be painted twice.
There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't.
Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
A painter's tastes must grow out of what so obsesses him in life that he never has to ask himself what it is suitable for him to do in art.