Basically it starts with four months of training, just basic stretching, kicking and punching. Then you come to the choreography and getting ready to put the dance together.

I believe in love at first sight. You want that connection, and then you want some problems.

I try not to think about my life. I have no life. I need therapy.

I mean, if you didn't get it or if you didn't feel like you enjoyed it, sometimes that experience can change.

I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.

I just felt that if I went into Speed 2, I just... wouldn't have come up out of the water.

I'm a meathead. I can't help it, man. You've got smart people and you've got dumb people.

Here comes 40. I'm feeling my age and I've ordered the Ferrari. I'm going to get the whole mid-life crisis package.

Grief changes shape, but it never ends.

I'm Mickey Mouse. They don't know who's inside the suit.

Because we're actors we can pretend and fake it, but I'd rather the intimate investment was authentic.

It's the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.

And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.

Falling in love and having a relationship are two different things.

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.