The Communist regime didn't consider this to be a shining moment in history and assigned no heroism to it. They classified it as merely an accident.
One should make morals judgements for oneself.
When he brought it to me four years ago, Rodney King had just arrived, I was involved in the clean-up of L.A. and I guess it was part of my experience.
Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people.
I like high impact movies.
I did a pilot for Anything But Love in 1988 that didn't sell.
There should be more women directing; I think there's just not the awareness that it's really possible.
I don't believe in censorship in any form.
Character and emotionality don't always have to be relegated to quieter, more simple constructs.
I think violence in a cinematic context can be, if handled in a certain way, very seductive.
I don't want to be made pacified or made comfortable. I like stuff that gets your adrenaline going.
You never think the universe will reward your first choice - it just doesn't work like that.
Right now, there's the illusion of order and civilization, but there's a tremendous amount of economic tension in this country and the educational system is constantly eroding.
Our film examines the heroism, courage and prowess of the Soviet submarine force in ways never seen before.
One of the elements in the film that really fascinated me was not to look at the world in bi-polar terms of us vs them or east vs west, which was a by-product of the Cold War.