When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.
The actors nowadays, both young men and young ladies, don't always wear their period clothes as well as they might. They tend to stomp around a bit in them.
Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.
On the speech day, the production designer, who has a lot of say in things, and sometimes I didn't agree with him but I had to do what I was told, wanted the speech day to be all in neutral colours for the women, which was a good thing.
John Schlesinger had one of his friends designing it and he had never done a film before. Ten days before it started, they didn't have any costumes. I was rung up and joined up.
It's nice when you work with someone who has an eye for clothes and will show what you've given them.
I would loathe to work on modern films.
I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions.
There are wonderful museums with lots of photographs of 1920's musicals.
You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.