American teachers have one indisputable advantage over foreign ones; they understand the American temperament and can judge its unevenness, its lights and its shadows.
I had found English audiences highly satisfactory. They are the best listeners in the world. Perhaps the music-lovers of some of our larger cities equal the English, but I do not believe they can be surpassed in that respect.
I firmly believe that we have more latent musical talent in America than there is in any other country. But to dig it out there must be good music throughout the land, a lot of it. Everyone must hear it, and such a process takes time.
I can almost always write music; at any hour of the twenty-four, if I put pencil to paper, music comes.
I am happy now, to recall that I was no only his son but his companion, and whenever there was a hunting expedition or any other pleasure, I was always with him.
Grand opera is the most powerful of stage appeals and that almost entirely through the beauty of music.
Governmental aid is a drawback rather than an assistance, as, although it may facilitate in the routine of artistic production, it is an impediment to the development of true artistic genius.
From childhood I was passionately fond of music and wanted to be a musician. I have no recollection of any real desire ever to be anything else.
Composers are the only people who can hear good music above bad sounds.
Any composer who is gloriously conscious that he is a composer must believe that he receives his inspiration from a source higher than himself.
America can well expect to develop a goodly amount of composers for she has a goodly number of people.
Sincere composers believe in God.
I have always believed that 98% of a student's progress is due to his own efforts, and 2% to his teacher.
Anybody can write music of a sort. But touching the public heart is quite another thing.
There is one thing that freezes a musician more than the deadliest physical cold, and that is the spiritual chill of an unresponsive audience!